The quality of Ashworth's prose, her incredible skill at weaving her experiences into a compelling and gorgeously detailed narrative, sometimes makes it easy to forget this is actually a true story. Despite the unhappiness the author endured, the bits that have stuck in my memory most vividly are those describing her struggles with the ordinary stuf Unfairly bracketed into the generally abysmal 'misery memoir' category by some, this is first and foremost an absolutely beautiful piece of writing. Despite the unhappiness the author endured, the bits that have stuck in my memory most vividly are those describing her struggles with the ordinary stuff of adolescent life - learning how to fit in, coping with being bullied, figuring out the mysteries of boys and sex.
A looming, red-faced man, quite a bit older than her, stepped into our house for tea and was introduced to Laurie and me as our new daddy. Ashworth, who was born inwrites that her new stepfather turned out to be a drunk who beat her up and molested her. Strangers on the street called the girls ''wogs'' and ''dirty Pakis'' -- they had inherited the dark skin of their Maltese father.
Their mother was married again, this time to a man who abused all of them to the point that the mother wound up in a hospital. Through the eyes of an anguished child, Ashworth vividly depicts the abuse, physical and sexual; a disastrous move to Canada; a life of poverty; and repeated rescue attempts by loyal friends.
She was sustained by literature; she saved ''serious swoons for James Joyce, Graham Greene and Thomas Stearns Eliot,'' and writes that her mind soared ''over sonnets and odes that make miserable things seem sublime. Her sister Laurie escaped to a girls' hostel, and her youngest sister, Sarah, who had taken to burning and cutting herself because ''it hurts less,'' was considered for placement in a foster home.
Their mother, hopelessly self-destructive to the end, ''clutched my hair and branded my forehead with a vicious, burning kiss'' and told Ashworth, ''You're my hope. The story follows Andrea, her two sisters and her mother in their battle with poverty, domestic violence and the effects of depression.
The award-winning book has been adapted for the stage and is currently being made into a feature film. It's often used to inspire study and discussion in schools and universities. As a child Andrea sought ways to escape through books and imagination, solidarity with her sisters and encouragement from teachers.
At eighteen, she won a place to study at Oxford University, where she earned her B. She works with several British charities focused on protecting children and adults from poverty and violence and is an advocate for literacy and education for those in need.
I felt a desperate thirst to read a book that might tell me something about my life, which felt so topsy-turvy. I was looking for a story that might help me to see more clearly, to understand what had happened, help me feel less alone and freakish because of my background.
After I graduated from Oxford, my life seemed to be bursting with promise. I won a scholarship to Yale, in America, and it was then, when things were going so fantastically well, that I suffered a kind of seasickness.
It was hard to reconcile where I seemed to be going to with where I was coming from. I had always wanted to write stories and poems but I realized that if I didn't pin down the ghosts of my past, those blue-black butterflies would go skittering across anything else I tried to write.
And I had to capture that spooky stuff, give it a good home on paper, in order to keep it from overshadowing my life. What was it like revisiting all those childhood memories? Memories would surge, vivid-beautiful and horrible-while I was writing Once in a House on Fire. There were times when I felt freshly terrified.once in a house on fire andrea ashworth essay Written on the back cover of Joyce Storeys The House in South Road , attracted arteensevilla.com Poppy, unobtrusively imagines events in .
Once in a House on Fire Andrea Ashworth Essays Changing Feelings Towards Peter and Andrea in Once in a House on Fire Essay. Changing Feelings Towards Peter and Andrea in Once in a House on Fire Essay.
Length: words ( double-spaced pages) Rating: Powerful Essays. Open Document. Once in a House on Fire Andrea Ashworth Once in a House on Fire is a ground-breaking memoir, endearing in its humour and compassion, and life-affirming in its portrait of terrible circumstances triumphantly overcome.
This is a brilliant book. Brilliantly . Once in a House on Fire by Andrea Ashworth, read by the author When Andrea Ashworth was five years old, her father, a painter and decorator, died in a freak accident.
Her sister, Laurie, was. Once in a House on Fire has 1, ratings and reviews. Nigel Slater lived a life of Riley compared to Andrea Ashworth. It's a tough read -- you feel angry with her mother and successive stepfathers for being such inadequate and dangerous parents, but at the same time you have to feel sorry for them.
a literary agency in London /5. Jan 01, · So, I did my work experience for a literary agency in London - they represent authors such as Patrick Ness, Derek Landy, Jeff Noon, Elizabeth Cook - and once upon a time - Andrea Ashworth. On my last day, one of the agents gave me a few free books, and amoung them - this gem/5.